“Animation is the art of timing, a truth applicable as well to all motion pictures. And the most brilliant masters of timing were usually comedians: Keaton, Chaplin, Laurel and Hardy, Langdon–and Fred ‘Tex’ Avery.” –Chuck Jones, in the introduction to John Canemaker’s 1996 book Tex Avery: The MGM Years, 1942-1955 Tex Avery’s name looms large…
This week, True Classics will be dedicated to one Frederick Bean Avery, better known to the world at large as seminal cartoonist “Tex” Avery. Much like our week-long tribute for Chuck Jones’ centennial last year, once again we will turn our site over to one of the most talented and influential animators to emerge from…
Though his popularity lasted less than a decade, Felix the Cat remains one of the seminal figures in pre-sound animation. The mischievous, clever cat appeared in over 150 animated shorts throughout the 1920s, many of which served to influence an entire generation of animators to come. The origins of the character have long been questioned,…
We’ve talked previously on this blog about the influence of cartoonist/animation pioneer Winsor McCay, but I’m going to mention it again (and again and again and again), as it would be nearly impossible to overstate his importance in promoting animation as a viable artistic medium. Films like Little Nemo (1911) and Gertie the Dinosaur (1914) directly inspired countless…
By 1927, Adolph Zukor, the Hollywood mogul behind the rapidly-expanding Paramount-Famous Lasky Corporation, had built a veritable entertainment empire. The studio had moved into a new, multimillion-dollar twenty-six acre lot off Melrose Avenue. They had amassed a chain of nearly two thousand theaters across the country, called Publix Theatres, in which to screen their many…
Ralph Phillips is bored, bored, bored. While his schoolmates mindlessly chant their math lesson (“Two and two is four. Four and four is eight …”), Ralph stares dreamily out the classroom window, imagining himself as a bird, flipping and flying freely through the sky–until his reverie is rudely interrupted by his teacher. She, for some…
After Warner Bros. terminated his long-term contract in 1962, Chuck Jones moved on to MGM, producing a series of cartoons featuring that studio’s famed pair, Tom and Jerry. Jones’ time wasn’t completely consumed by the antics of the cat and mouse, however; the animator/director worked on several other projects for the studio, one of which–The…
“Oh, I dream about being Bugs Bunny, but when I wake up, I’m Daffy Duck.” –Chuck Jones In Chuck Jones’ hands, the Daffy Duck of the 1930s and 40s–loopy, zany, whooping loudly, flipping out–went through a bit of a personality overhaul in the 50s. The zaniness was still there, to be sure, but this Daffy…
