I have to begin by saying how excited I was to hear about the “Best Hitchcock Films Hitchcock Never Made” blogathon. Several months ago, I decided to run a series on Mel Brooks, and this is the best kickoff I could have chosen. My many thanks to Dorian and Becky for hosting the “Not-Hitch” celebration!…
Many of director Alfred Hitchcock’s films take place in a single setting, restricting the movement of the characters to a central locale. Movies such as Lifeboat (1944), Rope (1948), and Rear Window and Dial M for Murder (both 1954) are claustrophobic and unnerving, filled to the brim with tension and unbearable suspense. The characters cannot get away from one another, and…
In the early 1940s, two different film versions of Patrick Hamilton’s play Angel Street were produced. The first version was released in 1940 and titled Gaslight. The second version of this film, which kept the same title, was released just four years later. Although both films were based on the same play and follow…
Early in the 1941 film The Little Foxes, there is a brief, exquisitely-crafted scene that tells us everything we need to know about these characters. The Hubbard family, having just finished dinner with a wealthy guest and potential business partner, has gathered in the parlor for a musical performance. But this is no pleasant interlude; the…
Lord knows, I love me some Disney. I feel the need to state this upfront just to underscore how much I enjoy the Disney animated canon. I grew up with those films, watching them over and over again, singing the songs, pretending to be a princess (or one of the dancing ostriches from 1940’s Fantasia–I loved…
With the publication of his 1994 biography of Barbara Stanwyck, Axel Madsen infuriated a legion of the actress’ fans by claiming that Stanwyck had been bisexual, as evidenced–he says–by a lifelong friendship with her publicist, Helen Ferguson. Indeed, Madsen provides little evidence for his speculation; he admits that there is no proof of Stanwyck’s supposed…
By some accounts a champion of female independence, playwright Lillian Hellman (1905-1984), crafted some of the most searingly honest plays ever produced by an American writer, beginning with her debut, the heart-wrenching 1934 drama The Children’s Hour (which was inspired by a true story). The play tells the story of two women who work hard to make their…
One of the most prolific partnerships to emerge in the silent film era was the one between movie star Mary Pickford and screenwriter Frances Marion. Director Clarence Brown once referred to their working relationship as “spontaneous combustion,” an apt description of the women’s uncanny ability to play off one another in developing new material. For…
True Classics 