Winsor McCay’s animated propaganda: The Sinking of the Lusitania

(This post was originally published on the sadly now-defunct site The Cinementals.) After the phenomenal success of Gertie the Dinosaur (1914), cartoonist Winsor McCay realized that he had found his passion in animation, and he was eager to create even more films. But his animated output was limited at the demand of his employer, publishing…

Now THAT’S comedy.

I’ve previously mentioned my all-abiding love for the 1990s cartoon series Animaniacs here on the blog. Produced by Steven Spielberg, the show was more than a mere cartoon–it was a cleverly-constructed show that appealed to both adults and children with a hilarious combination of slapstick-y violence, meta references, and witty send-ups of pop culture icons. This week,…

Hey, Pluto!

By 1930, Mickey Mouse had become a bona fide animated star. Since his creation two years earlier at the hands of Walt Disney and Ub Iwerks, he had starred in almost two dozen black-and-white shorts, ranging from his ever-popular debut in Steamboat Willie to Mickey’s Follies (1929), which introduced “Minnie’s Yoo Hoo,” the song that would remain Mickey’s theme for…