“I never told you I was anything but what I am. You just wanted to imagine I was.” That claim, uttered by Jane Greer as the devious Kathie Moffat in director Jacques Tourneur’s Out of the Past, is not entirely true. The character is an exercise in self-construction, spending much of the film behind an array of…
The Americanization of Emily (1964) is a wonderfully satirical, dark comedy about a “dog robber” in the US Navy serving during WWII. Starring James Garner as Charlie, a self-proclaimed coward, the film tells the story of this unscrupulous officer who prefers to avoid heroism in lieu of self-preservation. Although deemed unpatriotic by some critics, The…
Director Raoul Walsh was not particularly known for producing lighter cinematic fare. Though his five decade-long filmography ranges from comedies to dramas to Westerns, Walsh is primarily remembered as the director of a string of successful, heavily male-driven flicks in the 1940s, beginning with a trio of Humphrey Bogart-led movies including The Roaring Twenties (1939), They Drive by Night (1940),…
After watching season one of Netflix’s popular series Orange is the New Black, I was excited when the opportunity arose to review 1950’s Caged, a similar story of a naive young woman who is imprisoned after collaborating in a crime. Certainly there are many parallels between the two stories. Each was written by a woman…
The 1942 production Her Cardboard Lover may be a minor comedy by definition, but it remains an important artifact for one simple reason: it is star Norma Shearer’s last film. At the age of 42, Shearer decided to end her nearly two-decade long career after the mediocre public reception of this film. Audiences were more interested in dramatic,…
Inspired by a short story by Tennessee Williams, This Property is Condemned (1966) sports an amazing cast starring Natalie Wood, Robert Redford, and Mary Badham. This film–only the second ever to be directed by the soon-to-be legendary director/actor Sydney Pollack–tells the story of a small railroad town devastated by layoffs during the Great Depression. I…
Ah, James Stewart: the innocent, lovable screwball we all know and love. He’s the admirable, passionate, naive young Jefferson Smith in Mr. Smith Goes to Washington (1939). He’s the dedicated family man and pillar of the community as George Bailey in It’s A Wonderful Life (1946). He’s charming. He’s sweet. He’s good ole aw-shucks Jimmy Stewart. But Stewart turns…
Peter Morgan (James Stewart) has been sent to New York City to retrieve his womanizing cousin, Keith (James Ellison), and bring him back to their small college town of Old Sharon. He finds Keith in a nightclub, but is unable to convince his love-struck cousin to come with him. However, when Peter meets the object…
True Classics 